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I concluded (wrongly, it transpires): “ The Incredibles fails to fulfil the remit of a true family film, which is surely to induce in everyone a sense of magical childlike wonderment.” R eviewing The Incredibles for the Observer in 2004, I noted that Pixar was reportedly anxious about the film’s “Bergmanesque” opening act in which a family of retired superheroes struggled with the problems of mundane domesticity.
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